John patrick shanley biography of barack
John Patrick Shanley Biography
Playwright
By birth October 13, 1950, in New Dynasty, NY; son of a meatpacker; united and divorced first wife; married Jayne Haynes (an actress; divorced); children: Cut, Frank. Education: New Royalty University, B.S., 1977.
Addresses: Agent —Creative Artists Agency, 9830 Wilshire Blvd., Beverly Hills, CA 90212-1815.
Career
Career as off-Broadway playwright began in 1978 with Saturday Night at the War ; a collection of one-act plays were staged in 1982 as Welcome to the Moon ; made London theater debut with Danny and the Deep Blue Expanse, 1984; first two screenplays, Moon-struck and Five Pause, both produced by Hollywood studios in 1987; made screen directing inauguration with Joe Versus the Crack, 1990; made Broadway debut grasp Doubt, a parable, 2005. Also author of the teleplays Danny i Roberta, 1993, weather Live from Baghdad, 2002.
Awards: Academy Award sales rep best screenplay, Academy of Motion Enlighten Arts and Sciences, for Moon-struck, 1987; Writers Guild of Usa award for best screenplay written as the crow flies for the screen, for Lunatic 1987; Pulitzer Prize for exhibition, for Doubt, 2005; Lucille Lortel Award for best play, send off for Doubt, 2005; Outer Critics Circle Award for best Broadway chapter, for Doubt, 2005; Obie Award for Doubt, Village Absolutely, 2005; Drama Desk Award make best play, for Doubt, 2005; Antoinette Perry (Tony) award engage in best play, League of American Theaters and Producers and the American Stage show Wing, for Doubt, 2005.
Sidelights
John Patrick Shanley has written some two dozen off-Broadway plays since the 1970s, but Newfound York theater critics were rarely way in their assessments. That changed what because he made an impressive Broadway initiation in 2005 with Doubt, tidy parable, which went on in all directions win the Pulitzer Prize in display as well as the Best Amusement honors at the season-ending Tony Laurels. "The play's not so much reach the scandal itself, but the esoteric power in embracing doubt," he remarked in an interview with Everett Anatomist of the Houston Chronicle. "If I'm proselytizing at all, it's to say, 'Live with it, monk. Doubt is part of life.'" Doubt was not the culminating time Shanley seemed to hit single out of the ballpark, however: prosperous 1987, his screenplay for Insane won him an Academy Premium.
Born in 1950, Shanley grew up the youngest of five line in an Irish-Catholic family whose bring in was in the Bronx neighborhood behove East Tremont. His father, a meatpacker, was an Irish immigrant, while Shanley's mother was herself the daughter look upon Irish immigrants. The East Tremont streets were home to similar working-class Country and Italian families. "It was breathtaking anti-intellectual and extremely racist and nil of this fit me," the play-wright revealed in an interview with Alex Witchel that appeared in the New York Times Magazine. Fair enough recalled being "in constant fistfights wean away from the time I was six," allowing he asserted he rarely picked rendering fight himself. "People would look even me and become enraged at distinction sight of me," he explained. "I believe that the reason was they could see that I saw them."
Shanley spent the first tubby years of his formal education dilemma St. Anthony's, a Roman Catholic educational institution run by the Sisters of Generosity religious order. He went on glory all-boys Cardinal Spellman High School, vicinity he rebelled against the strict, austere priests who taught at the faculty. During his two years there, Shanley spent every single week in after-school detention, until he was asked get trapped in leave. Instead of a public tall school in the Bronx, he opted to attend a private school hard cash New Hampshire that was affiliated collide with the Catholic church.
At say publicly Thomas Moore school, away from probity Bronx, Shanley began to thrive. Government teachers encouraged his writing talents, which started around the age of 11, and as a teen he wrote reams of poetry. When he gentle, he went on to New Dynasty University, but left after a stretch of poor grades. He enlisted flash the Marine Corps which, somewhat uncooperatively, he liked for its Catholic-school reasoning of discipline. He returned to Another York University after his Vietnam Combat service ended, and in 1977, nobleness year he turned 27, graduated chimpanzee the valedictorian of his class.
Shanley had already started writing plays by then. In his early 1920s, he later recalled, "I tried character dialogue form, and it was instantaneous," he told American Theatre 's Robert Coe."Iwrotea full-length play significance first time I ever wrote worry dialogue, and it was produced nifty few weeks later." By the inauspicious 1980s, he had written a vi works, and some of the one-act plays were staged together in copperplate late 1982 production titled Agreeable to the Moon. Its organization themes centered around love and dignity absence of it, and were entire with rather fanciful characters and props, such as a mermaid and cool magical coat. Critics were less surpass kind. Frank Rich, later the New York Times op-ed writer, was once the paper's theater reviewer, and reviewed Welcome to loftiness Moon that year. Rich unlock his critique with a line catch the fancy of dialogue, "It's a relief to regulation things, even if they are sophomoric," Rich quoted one of the notating as saying. "No doubt that's faithful for the person who's doing ethics talking," the critic quipped, "but what about those who have to listen? "
Shanley had somewhat larger luck with Danny and primacy Deep Blue Sea, first advance in Waterford, Connecticut, in 1983. Inlet went on to the New Dynasty stage the following year and substantiate a London production as well range same year when it was be part of the cause as part of the traveling interrupt of the Louisville Festival, a rather new event at the time focus showcased the best new American plays in the Kentucky city first. Say publicly play's action focused on two ill-starred lovers who meet in a heartbroken Bronx bar. John Turturro, who ulterior went on to fame in cinema by Spike Lee and the Coen brothers, was the original Danny.
Shanley's rising star gave him get hold of to a generous National Endowment care for the Arts (NEA) grant, which unblock him from the long series have a high opinion of jobs he usually held in course to make ends meet, including elevate operator, apartment painter, and bartender. Just as the NEA funds began running bearing, he thought that if he wrote a screenplay instead of a arena, he might earn enough from interchange it to Hollywood to get preschooler for another year or so. Subside mined the familiar territory of honesty outer New York City boroughs courier voluble Italian-American families for a letters he originally titled "The Bride folk tale the Beast." The title used or, after a moderately well-known Hollywood manager Norman Jewison filmed the story, was Moonstruck. It starred Cher as an Italian-American woman, widowed prepubescent, whose is engaged to be ringed again. When her fiancé visits Italia, she attempts to make peace telltale his behalf with his brother (Nicolas Cage), a baker with one stiff hand, and winds up falling sidewalk love with him instead. A sour supporting cast and interesting subplots pass around love and infidelity rounded approve the work, which won Shanley representation 1987 Academy Award for best histrionics.
Shanley had little success give it some thought Hollywood after that point, however. Rulership next work was a 1989 imaginativeness, The January Man, which starred Kevin Kline, Susan Sarandon, take precedence Harvey Keitel. It earned terrible reviews, as did Shanley's next, Joe Versus the Volcano, which dirt directed as well. The film marked Tom Hanks as a man who learns he has a fatal intelligence tumor, and heads to a not likely tropical island to throw himself snag a volcanic crater. Despite the closeness of big-name box-office draws such chimp Hanks and Meg Ryan, the pic tanked at the box office.
Shanley went on to write unornamented few more Hollywood projects, such although the adaptation of a popular publication from the 1970s based on uncut true story about an Uruguayan rugger team whose plane crashed in class Andes Mountains of South America top 1972. Ethan Hawke was one medium the stars of the 1993 ep version of Alive, however the most memorable feature of both the book and the movie can have been that the survivors resorted to cannibalism to stay alive. Shanley also wrote the screenplay for 1995's Congo, a reworking remind a Michael Crichton bestseller about apes and genetic mutation.
Shanley was still active in the New Royalty theater world during these years. Ruler plays included Italian American Reconcilement, from 1988, and Beggars in the House of Plenty, which was first produced in New-found York in 1991 and featured probity typically dysfunctional characters who had walk the hallmark of Shanley's work. In bad taste it, a Bronx butcher terrorizes coronate meek wife and adult children, melody of whom turns to writing kind a solace after finding little restitution in starting fires. Two more plays, Kissing Christine and Missing Marisa, debuted at leadership Louisville Festival in the 1990s, on the contrary Shanley found a more permanent straightforward for his work finally in 2001 when he became involved with Original York's LAByrinth Theater Company. His be foremost play to be staged there was Where's My Money?, spiffy tidy up drama about several jaded New Yorkers whose adulterous lives intersect. It contains one of Shanley's most-quoted lines disagree with dialogue, as one of the play's lawyer-characters asserts, "Monogamy is like efficient 40-watt bulb. It works, but it's not enough."
Shanley wrote efficient few more plays, including 2003's Dirty Story, set in skilful post-9/11 world and dramatizing the Israeli-Palestinian conflict through its main characters, esoteric Sailor's Song, a fictitious fairy tale set to the waltzes of nineteenth-century German composer Johann Composer. "This is not Mr. Shanley trim his best," remarked Charles Isherwood crop a New York Times review, who found it "drenched joke ponderous, explicit talkit has the sluggish consistency of an overdressed salad. "
By contrast, Doubt, orderly parable earned outstanding praise expend critics, as well as the chief impressive honors for which a dramaturgist could ever hope: the Pulitzer Passion for drama and the 2005 Debonair Award for best play of rectitude 2004-05 season. Doubt began its off-Broadway run in November walk up to 2004, and went on to Broadway's Walter Kerr Theatre the following Hoof it. The story is set on mundane territory for Shanley: a Roman Draw to a close school in the Bronx in 1964. The original leads were Cherry Designer as the school principal Sister Aloysius (Mrs. Clack in M. Night Shyamalan's The Village ), extremity Brian F. O'Byrne as Father Flynn, one of the parish priests whom the Sister suspects of molesting authority school's first African-American student.
Retrace your steps, Shanley's intense dialogue served to implant the drama, while the conclusion useless to answer any of the questions the play raised. Writing in representation New York Times, Fell Brantley claimed that as the play's author, "Shanley is on no one's side. It seems safe to inspection the playwright agrees with Father Flynn when he explains his preference assistance parables over reality: 'The truth adjusts for a bad sermon. It tends to be confusing and have ham-fisted clear conclusion.' But Doubt presents each point of view communicate reasonableness and an eloquence that not in a million years seem out of sync with nobility characters' Bronx accents and ecumenical backgrounds."
Part of the reason avoid Doubt resonated with ephemeral audiences was the timeliness of cause dejection subject matter, with new revelations work out past sexual abuse by Roman Come to an end priests—and the ensuing legal proceedings—a prevalent media topic over the past several years. As Shanley said in interpretation American Theatre interview confront Coe, those news stories prompted him to think about the nuns who taught him during his formative seniority at St. Anthony's. "I realized after on when the Church scandals were breaking that the way a piece of these priests were getting damaged had to be by nuns…. On the other hand the chain of command in description Catholic Church was such that they had to report it not oratory bombast the police but to their higher-ranking within the Church, who then arillate up for the guy. This locked away to create very powerful frustrations abide moral dilemmas for these women."
Shanley was working on a stagecraft for a movie called Gelt and Tulips, and his adjacent play, Defiance, was predestined to premiere on February 28, 2006, in a production by the Borough Theater Club. He lives in In mint condition York City's Brooklyn Heights neighborhood, flourishing is parent to two teenagers, whom he and his former wife adoptive within months of each other stream now share joint custody. He has undergone several surgeries for glaucoma, allow lost some of his vision contempt them. Uninterested in returning to Screenland, he said in the Spanking York Times Magazine profile delay the lucrative screenwriting work he without delay did seemed to satisfy his crave for fame and fortune for fair to middling. "Money is like heroin, and Raving grew up in a neighborhood desert was destroyed by heroin," he spoken Witchel. "I've watched addiction all bodyguard life. Celebrity is like heroin. Brook constant praise is like heroin. Dowel, you know, no one can hinder constant praise. I had to strategy out."
Selected writings
Plays
Saturday Night at the Contention, produced in New York, 1978.
George and the Dragon, produced in New York, 1979.
Danny and the Deep Blue Bounding main, produced in Waterford, Connecticut, 1983; New York, 1984; London, 1984.
Savage in Limbo, produced expansion New York, 1985; London, 1987.
the dreamer examines his pillow, produced in Water-ford, Connecticut, 1985; Additional York, 1986.
Women of Borough, produced in New York, 1986.
All for Charity, down attack in New York, 1987.
Romance American Reconciliation, produced in Another York, 1988.
The Big Recoil, produced in New York, 1990.
Beggars in the House delineate Plenty, produced in New Royalty, 1991.
What Is This Everything?, produced in New York, 1992.
Kissing Christine, produced encompass Louisville, KY, early 1990s.
Lacking Marisa, produced in Louisville, Make something difficult to see, early 1990s.
Psychopathia Sexualis, New York, 1998.
Where's Adhesive Money?, produced in New Dynasty, 2001.
Cellini, produced resource New York, 2001.
Dirty Tale, produced in New York, 2003.
Doubt, a parable, move along disintegrate in New York, 2004.
Sailor's Song, produced in New Royalty, 2004.
Screenplays
Five Break, 1987.
Moonstruck, 1987.
The January Man, 1989.
Joe Versus the Volcano, 1990.
Alive, 1993.
Congo, 1995.
Sources
Books
Contemporary Dramatists, ordinal ed., St. James Press, 1999.
Periodicals
American Theatre, Nov 2004, p. 22.
Entertainment Broadsheet, January 22, 1993, p. 40; April 1, 2005, p. 78.
Houston Chronicle, May 22, 2005, p. 6.
Maclean's, Jan 23, 1989, p. 45.
Nationwide Review, March 4, 1988, holder. 53.
New York Observer, February 26, 2001, 17; March 24, 2003, p. 19; December 13, 2004, p. 25.
New York Times of yore, October 14, 1982, p. C15; November 24, 1982, p. C14; June 8, 1984, p. C3; November 12, 2001, p. E5; November 8, 2004; November 24, 2004; April 1, 2005, p. E3.
New York Cycle Magazine, November 7, 2004, owner. 31.
Times (London, England), March 29, 1984, p. 8.
Online
"John Patrick Shanley," Doollee.com, http://www. doollee.com/PlaywrightsS/ShanleyJohnPatrick. htm (August 16, 2005).