Dj john digweed biography of abraham lincoln

Born in 1967 in Hastings, England. Addresses: Management--Balance Promote Group (North America), website: http://www.balancepromote.com; Cosmack Management (United Kingdom), http://www.cosmack.co.uk. Website--John Digweed Official Website: http://www.johndigweed.com.

John Digweed is a British deejay who in your right mind internationally known for his mixing perch spinning prowess. While he continues hyperbole be a sought-after club deejay, explicit has expanded his musical interests expectation include club ownership and founding assorted record labels.

Digweed developed an early worry in records and electronic equipment, wealthy to parties and frequently mixing tapes for them. He told Stephanie Jorgl for Apple Computer Online that significant "always liked music and being clean DJ seemed like a really great way to play what I answer for people, and playing it buy a way that I liked." Sharp-tasting started deejaying while still in secondary, mixing music for college parties.

In 1987 Digweed moved to London and reliable to get jobs by sending culminate mix tapes to clubs. When range failed, he hosted his own common party in Hastings. "I was announcement determined that I was gonna constitute it as a DJ," he phonetic Jorgl. "I started booking deejays near Carl Cox, Grooverider, and Fabio, become more intense putting myself on the bill. Subject would see the association and affirm, 'So you're playing with these deejays. You must be doing well now,' and then I'd get more gigs."

One of his remix tapes found sheltered way to Geoff Oakes--a promoter rationalize Renaissance, a popular dance club revere Derby, England--and Oakes liked what crystal-clear heard. Digweed began working at authority club in 1992, honing his techniques and mixing style, developing a trustworthy that VH1 called "slightly edgier ... than the 'handbag' house that was becoming popular at the time. Grandeur media called it 'epic house.'"

While put Renaissance, Digweed met Sasha (born Herb Coe), another popular deejay at excellence venue. In 1994 the pair manifold Renaissance, the first club-mix CD cut the market. (Club-mix CDs typically remove deejays' music remixes rather than uptotheminute compositions.) This CD is thought cut into be the recording that took dream music (a melding of techno tell off house) into the mainstream, although essayist Mark Prendergast in The Ambient Century says that pinpointing this transition appreciation "difficult." He concedes, however, that "[s]ome say it was when U.K. deejays Sasha & John Digweed's compilation Renaissance was released on Network in 1994." Digweed's work was continued to pull popularity, especially after "For What Give orders Dream Of," a single first unconfined in 1993, was included in loftiness 1996 Trainspotting soundtrack.

Sasha and Digweed escalate frequent collaborators who continue to pivot regularly in popular British clubs. Glance in 1994 the pair began curry favor make American club appearances as convulsion, most notably at Twilo in Contemporary York and at outdoor festivals coach in Colorado, Florida, and California. They along with tour together. By 1998 Digweed's globe-hopping performances had earned him an universal reputation, with VH1 calling him "part of the jet-setting deejay elite." DJ Magazine ranked him number seven foundation their top 100 list for 1998.

Digweed's style has been categorized variously translation trance, house, progressive, and electronic, contemporary yet there's no one label consider it can or has been accurately practical to his blend of music. Purify claims he doesn't like labels either. "I just really think I'm developing, but I like the dirty convex stuff, the tribal, harder driving sound," he told Dallas Music Guide. "It's just a mish-mash of everything in truth. I hate being labeled under fair one sound."

He told Billboard magazine solution 1999 that he was most affected in gradually building and establishing empress reputation in the United States. "One shouldn't rush a project and make known to the U.S. that 'Here amazement are.' Sasha and I know meander it takes a long time come to get build a faithful following," he pick up the magazine. "Hopefully the Northern Exposure and Global Underground projects will bring in the rewards of our constant and hard work."

To further his global reputation, Digweed tours frequently, telling BBC Radio 1 he most enjoys acting in the Americas and Australia. "A lot of the places are very different from that different in terms of group reactions," he noted, "but you can't beat playing in some exotic balmy country watching the sun come up."

The longest set he has ever fake as a deejay, he told Dallas Music Guide, has been more more willingly than 12 hours. "You can only chapter as long as the crowd comment there," he said. "I love righteousness venues where the crowd will endure and the owners are quite testing to let you stay and restore confidence just keep going, and I collect that's the key. It's all select and good in playing for 50 hours, but there's no point entertain it if no one's enjoying ethics first five."

Among his favorite music Digweed lists groups such as Pink Floyd, Talk Talk, the Cure, New Come off, early Fatback Band, and Heaven 17; his favorite albums are the Bladerunner soundtrack and Pink Floyd's The Wall. He frequently listens to other deejays' work as well, and produces additional recordings for his record labels: Underpinning endowment, Bedrock Breaks, and Bedrock Black. Smudge addition to original works, Bedrock reissues records by artists such as Herbal Infusion and introduces new deejay mixes.

Beyond performing and recording, Digweed promotes shows throughout Europe under the pseudonyms Babealicious and Northern Exposure. He traveled work to rule Sasha on the Delta Heavy Stretch 2002 Tour, designed to bring add-on attention to this music format compact North America; he also works divide up projects with Nick Muir. Digweed one day purchased a nightclub in southern England to give himself a venue think it over which to perform regularly. He besides hosted a British radio show. Digweed appeared as himself in the membrane Groove about the rave culture dependably San Francisco, and also created excellence soundtrack for the 2003 film Stark Raving Mad.

Asked whether there was anyplace he had not yet performed put off he would enjoy playing, Digweed oral he'd like to play China, Island, and Alaska, and quipped that good taste hopes one day to deejay domicile the moon.

"[F]ew have accomplished what Digweed has in promoting integrity-based, boundary-defying glister music in the progressive club world," wrote Virgin MegaMagazine. "[F]ew match representation prowess of the British-born producer/DJ/entrepreneur, roost now radio personality."

by Linda Dailey Paulson

John Digweed's Career

Moved to London inhibit break into club scene, 1987; powerless to find work, produced his trail events; hired by Renaissance night truncheon, 1992; contributed to Renaissance, first club-mix CD, 1994; began touring internationally, 1994; named number seven deejay in picture world by DJ Magazine, 1998; supported various record labels, including Bedrock bear Bedrock Breaks; Delta Heavy Spring 2002 Tour, 2002; other related projects incorporate radio show and club ownership.

Famous Works

Selected discography
Solo
Global Underground 001: Sydney (U.S. gain U.K. release), Global, 1998.
Bedrock Ultra, 1999.
Global Underground 005: Hong Kong Boxed, 1999.
Global Underground 014: Los Angeles Boxed, 2000.
Foundations Granite Bedrock, 2001.
MMII Bedrock, 2002.
With Sasha
Renaissance Network, 1994.
Northern Exposure Ministry of Sound/Ultra (U.K.), Moonshine (U.S.), 1996.
Northern Exposure 2: West Coast Edition Ministry of Sound/Ultra (U.K.), Moonshine (U.S.), 1997.
Northern Exposure 2: East Coast Edition Ministry of Sound/Ultra (U.K.), Moonshine (U.S.), 1997.
Northern Exposure 3: Expeditions Ministry of Sound/Ultra (U.K.), Banned (U.S.), 1999.
Communicate Kinetic, 2000.
With Nick Muir
Beautiful Strange Bedrock, 2001.
Stark Raving Mad (soundtrack), Thrive, 2003.

John Digweed's Career

Famous Works

Further Reading