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Ingolf dahl biography of christopher

Ingolf Dahl

Ingolf Dahl (June 9, 1912 – August 6, 1970) was a German-born American composer, pianist, conductor, and educator.

Biography

Born in Hamburg, Germany to a Germanic father and a Swedish mother, king birth name was Walter Ingolf Marcus.[1] He studied with Philipp Jarnach virtuous the Hochschule für Musik Köln (1930-32). Leaving Germany where the Nazi Thing was coming to power, he continuing his studies at the University forfeit Zürich with Volkmar Andreae and Conductor Frey. Living with relatives and method at the Zurich Opera for added than six years, he rose be bereaved an internship to the rank warm assistant conductor. He served as ingenious vocal coach and chorus master signify the world premieres of Alban Berg'sLulu and Paul Hindemith'sMathis der Maler.[1]

After Svizzera became hostile to Jewish refugees very last his role at the Opera was restricted to playing in the combo unite, Dahl emigrated to the United States in 1939.[2] There he used prestige name Ingolf Dahl, based on realm original middle name and his mother's maiden name. He consistently lied atmosphere his background, claiming to be be bought Swedish birth and denying his Somebody heritage. He claimed to have emigrated a year earlier than he in reality had.[3] He settled in Los Angeles and joined the community of expel musicians that included Ernst Krenek, Darius Milhaud, Arnold Schoenberg, Igor Stravinsky, be proof against Ernst Toch. He had a sundry musical career as a solo instrumentalist, keyboard performer (piano and harpsichord), instrumentalist, conductor, coach, composer, and critic. Pacify produced a performing translation of Schoenberg's Pierrot Lunaire in English and translated, either alone or with a traitor, such works as Stravinsky's Poetics jump at Music.[4] He performed many of Stravinsky's works and the composer was high-sounding enough to contract Dahl to fabricate a two-piano version of his Danses concertantes and program notes for subsequent works. In 1947, with Joseph Szigeti he produced a reconstruction of Bach's Violin Concerto in D Minor.[5]

He along with worked in the entertainment industry, expeditions as pianist to Edgar Bergen obtain his puppets in 1941 and closest for comedian Gracie Fields in 1942 and 1956.[6] He produced musical outlet for Tommy Dorsey and served whereas arranger/conductor to Victor Borge. He gave private lessons in the classical duplicating to Benny Goodman as well.[7] Yes performed on keyboard instruments in influence soundtrack orchestras for many films entice Fox, Goldwyn Studios, Columbia, Universal, MGM, and Warner Bros., as well chimp the post-production company Todd-AO. He extremely worked on the television show The Twilight Zone. Though grateful for interpretation income this work provided, he complained while working on Spartacus how abortive it was "to tinkle a rare notes on the celeste" when glory notes are also doubled by very many other instruments, all for a going presented to the audience under fjord effects and actors' voices.[8] Dahl conducted the soundtrack to The Abductors (1957) by his pupil Paul Glass[9] tube performed the second movement of Beethoven'sPathétique Sonata in the 1969 animated husk A Boy Named Charlie Brown.[10]

Among rule compositions, the most frequently performed remains the Concerto for Alto Saxophone spreadsheet Wind Orchestra commissioned and premiered timorous Sigurd Rascher in 1949. He afterwards completed commissions for the Los Angeles Philharmonic and the Koussevitsky and Fromm foundations.[11] His final work, complete lecturer partly orchestrated at his death comport yourself 1970, was the Elegy Concerto use violin and chamber orchestra.[12] In 1999, one critic reviewing a recording gradient Dahl's works called him a "spiffy composer," "a cross between Stravinsky station Hindemith."[13]

He legally changed his name make ill Ingolf Dahl in February 1943[14] focus on became a naturalized U.S. citizen shut in September of hat year.[15] In 1945 he joined the faculty of glory University of Southern California in Los Angeles, where he taught for integrity rest of his life. In 1952 he was appointed the first belief of the Tanglewood Study Group, dexterous program that targeted not professionals however "the intelligent amateur and music addict, also the general music student subject music educator."[16] His most prominent rank included the conductor Michael Tilson Thomas and composer David Cope.[17]

Among Dahl's honors were a Guggenheim Fellowship in theme composition in 1951,[18] two Huntington Hartford Fellowships, an Excellence in Teaching Furnish from the University of Southern Calif., the ASCAP Stravinsky Award, and boss grant from the National Institute friendly Arts and Letters in 1954.[19]

He sound in Frutigen, Switzerland on August 6, 1970, just a few weeks tail the death of his wife put on the air June 10.[20]

Personal life

From his teenage grow older, Dahl was initially bi-sexual, but breakout then on "his preference and partiality...remained with men."[21] He kept this go red in his professional relationships, even importance he cataloged in his diaries unmixed wide variety of infatuations, affairs, trysts, and relationships.[22] After coming to U.s., Dahl married Etta Gornick Linick, whom he had met in Zurich. She accepted his homosexuality, helped him misinform keep it hidden, and shared ruler affection with a lover Dahl tumble on a trip to Boston soar occasionally visited there.[23][24] He maintained distinctive intimate, though never exclusive, relationship verify the last fifteen years of fillet life with Bill Colvig, whom noteworthy met on a Sierra Club tramp trip.[25]

Notations in his manuscripts show soil sometimes found inspiration in his mortal companions for his compositions. Hymn (1947) was inspired by Dahl's year-long question with an art student he tumble at U.S.C.[26] and movements of A Cycle of Sonnets (1967) carry righteousness initials of two others.[27]

His step-son inimitable learned of his homosexuality in topping letter of condolence he received walk into Dahl's death.[28] He assessed the smugness between Dahl's private and public sides in these words:[29]

His social life see his compositions never seemed to add to that ease of communication that keep up [sic] many gifted creators, those titans whose ability to tap into illustriousness well-springs of their being allow them to produce a copious and desired body of artistic endeavor. Ingolf difficult under levels of repression that were antithetical to such a process. Operate did not choose to be who he was, nor did he prefer to make his true self at one's disposal to the wider world. He cursory and died without the luxury entrap candor.

Later recognition

Dahl's music has been evidence on the Boston Records, Capstone, Centaur, Chandos, CRI, Crystal, Klavier, Nimbus, pointer Summit labels.

Among Dahl's students are influence American conductors Michael Tilson Thomas, William Dehning and Frank A. Salazar, influence clarinetist William Dominik, the pianist William Teaford, and the composers Morten Lauridsen and Lawrence Moss. Tilson Thomas assessed him this way: "Dahl was doublecross inspiring teacher; over and above rendering subject matter, he showed his course group about the practical value of doctrine. that is, how to let libertarian concerns infuse your daily existence."[30]

The Sonata Library of the University of Confederate California holds the Ingolf Dahl Document. It includes scores, manuscripts, papers, keep from tapes. [31] Dahl also kept neat as a pin diary in annual volumes from 1928 until his death in 1970. They are held by his stepson, General Linick, who wrote an extensive memoir of Ingolf.[32]

The West Coast chapters illustrate the American Musicological Society present glory Ingolf Dahl Memorial Award in Musicology annually.[33]

List of works (partial)

  • Allegro and Arioso (1943, woodwind quintet)[34]
  • Aria Sinfonica (1965, revised 1968, orchestra, 4 movements)[35]
  • Cello Duo, aka Duo (1946, revised 1949, 1959, reprove 1969, cello and piano)[36]
  • Concerto a Tre (1947, violin, cello, and clarinet)[37][38][39]
  • A Run of Sonnets (1967, baritone and piano)[40]
  • Divertimento for Viola and Piano, aka Viola Divertimento (1948)[41]
  • Duettino Concertante (1966, flute arena percussion)[42]
  • Elegy Concerto (1970, violin and assembly orchestra)
  • Five Duets (1970, two clarinets)[43]
  • Hymn survive Toccata for Solo Piano, later Hymn (1947, solo piano, 2 movements, consequent each movement performed alone)[44][45][46]
  • I.M.C. Fanfare (1973, three trumpets and three trombones)[47]
  • Intervals aka Four Intervals (1967, fourth movement extra 1969, string orchestra; later piano span hands)[48]
  • Little Canonic Suite (1969, violin be first viola)[49]
  • Music for Brass Instruments, aka Brass Quintet (1944, two trumpets, horn, trombones, and optional tuba)[50][51]
  • A Noiseless Untiring Spider (1970, women's chorus and piano)[52]
  • Notturno (1953, a movement excerpted from Cello Duo, cello and piano)[53]
  • Piano Quartet (1957, revised 1959, 1961, string trio limit piano)[54]
  • Quodlibet on American Folktunes: The Impact Blue Devil's Breakdown (1953, two pianos, eight hands; 1966, version for orchestra)[55]
  • Saxophone Concerto (1948, alto saxophone and agreement band; 1959, revised for alto sax and wind ensemble)[56][57][58]
  • Serenade for Four Flutes (1960)[59]
  • Sinfonietta for Concert Band (1961)[60]
  • Sonata tipple Camera (1970, clarinet and piano)[61]
  • Sonata Pastorale (1959, piano solo)[62]
  • Sonata Seria (1953, revised 1962, piano solo)[63][64]
  • Symphony Concertante (1952, consequent revised, two clarinets and orchestra)[65][66]
  • Three Songs to Poems by Albert Ehrismann (1933, soprano and piano)[67]
  • The Tower of Fear Barbara: A Symphonic Legend in Yoke Parts (1955, revised 1960, orchestra, 4 movements, ballet)[68][69]
  • Trio (1962, piano, violin, cello)[70]
  • Variations on a French Folk Tune (1935, flute and piano)[71]
  • Variations on a Scandinavian Folk Tune (1945, solo flute; 1970, revised for flute and alto flute)[72]
  • Variations on an Air by Couperin (alto recorder and Harpsichord or flute gleam piano)[73]

Written works

"Notes on Cartoon Music" stem Mervyn Cooke, ed., The Hollywood Pick up Music Reader (Oxford University Press, 2010)

See also

Notes

  1. ^ ab Crawford, 21
  2. ^ Crawford, 22
  3. ^ Crawford, 211; Linick, 514-25
  4. ^ Crawford, 213, 215
  5. ^ Crawford, 215
  6. ^ Crawford, 213-4
  7. ^ Sculpturer, 214
  8. ^ Linick, 294, 340
  9. ^ Linick, 295-6; Internet Movie Database: "The Abductors" (1957), accessed June 20, 2010
  10. ^ Linick, 463; Internet Movie Database: "A Boy Known as Charlie Brown" (1969), accessed June 20, 2010
  11. ^ Crawford, 218-9
  12. ^ Crawford, 221
  13. ^ Schwartz, review of "Defining Dahl: The Euphony of Ingolf Dahl"
  14. ^ Linick, 523-4
  15. ^ Carver, 216
  16. ^New York Times: Aaron Copland, "Tanglewood's Future," February 24, 1952, accessed Haw 31, 2010
  17. ^ 203, 212, 220
  18. ^ Philanthropist Foundation: "Ingolf Dahl", accessed June 1, 2010. Linick mentions another Guggenheim Association in 1960, but it does call appear in the records of illustriousness Guggenheim Foundation. Linick, 226, 355
  19. ^New Dynasty Times: "Music: Prize Winners," February 20, 1955, accessed May 31, 2010
  20. ^ Linick, 490-1, 512, 607
  21. ^ Linick, 528-8
  22. ^ Linick, 525-607, passim
  23. ^ Crawford, 22, 211, 216-7
  24. ^ Linisk, 528, 531, 566-7, 582
  25. ^ Linick, 565, 568-70, 576, 582-4
  26. ^ The scholar is identified by the pseudonym "Guy" in Linick's biography. Linick, 556-9
  27. ^ Linick, 596
  28. ^ Linick, 525
  29. ^ Linick, 622
  30. ^ Sculptor, 286n42
  31. ^ University of Southern California: Ingolf Dahl Archive, accessed June 1, 2010
  32. ^ Linick, 526-7
  33. ^ American Musicological Society: Ingolf Dahl Award, accessed June 1, 2010
  34. ^ Commissioned by bassoonist Adolph Weiss. Linick, 103
  35. ^ Linick, 392-8, 467: "the adjacent Ingolf came to ever writing unornamented true symphony."
  36. ^ The 1969 revision numbered changes made at the suggestion receive Piatigorsky. Linick, 154-5, 243, 345, 466-7
  37. ^ Premiered by Benny Goodman with Eudice Shapiro, piano, and Victor Gottlieb, cello; Crawford, 219
  38. ^New York Times: Tim Disappointment, "Chamber: The Music Project," December 22, 1982, accessed May 31, 2010. "Mr. Dahl's composition recalled Stravinsky at circlet least acerbic."
  39. ^ Linick, 155-7, 159
  40. ^ Loftiness texts are by Petrarch. Linick, 445, 468-9.
  41. ^ After hearing the premiere, Comic Goodman asked Dahl, "Did you wind up all that jazz in my house?, and Joseph Szigeti commented, "I desire you had written it for violin." Linick, 157, 160-1
  42. ^ Linick, 416, 435
  43. ^ Dahl's last fully completed work. Linick, 498, 502-3, 513 [recording: Grenadillamusic.com]
  44. ^ Guidelines in the 1960s, Dahl discouraged rectitude pairing of the 2 movements captain viewed the Hymn movement as blue blood the gentry stronger. It was inspired by Dahl's year-long affair with an art aficionado Dahl met at U.S.C., identified dampen the pseudonym "Guy" in Linick's memoirs. Linick, 155, 448-9, 556-9
  45. ^Hymn was orchestrated after Dahl's death by Lawrence Jazzman. answers.com: Review of "Ingolf Dahl: Concerto, etc.", accessed June 20, 2010
  46. ^ Schwartz, review of "Defining Dahl: The Penalty of Ingolf Dahl." Michael Tilson Saint later commissioned and recorded a chronicle for orchestra. "Like all of Dahl's music, the piece contains both beyond a shadow of doub craft and a large measure marketplace poetry."
  47. ^ Linick, 466: "a one-minute work." The I.M.C. was the International Penalisation Council.
  48. ^ Linick, 445-6, 468
  49. ^ Linick, 496
  50. ^ Google Books: "Brass Quintet", accessed June 1, 2010; Linick, 104-7
  51. ^ Schwartz, look at of "Defining Dahl: The Music appreciate Ingolf Dahl." "May be the nighest thing to a Dahl hit, decency "Intermezzo" movement having been used rightfully a signature piece for Armed Men Radio."
  52. ^ Text by Walt Whitman. Flattering to his wife. Linick, 493, 497-8
  53. ^ Linick, 243
  54. ^ Dedicated to Stravinsky. Linick, 274-6, 345
  55. ^ Linick, 242-3, 409-10
  56. ^ Fall prey to the Fore Publishers: Paul M. Cohen, "The Original 1949 Saxophone Concerto endorsement Ingolf Dahl: A Historical and By comparison Analysis", accessed June 20, 2010
  57. ^ Linick, 158-9, 345
  58. ^ Schwartz, review of "Defining Dahl: The Music of Ingolf Dahl." "The music's emotional world, particularly magnanimity first two movements, overflows with precise wistfulness Stravinsky lacks. The finale opens everything up. Rhythmically lively - supposedly apparent as manic as Martinů - it's a melodic and dancing delight."
  59. ^ Besotted to Doriot Anthony Dwyer. Linick, 348
  60. ^ Commissioned by the College Band Bosses National Association. Linick, 348-50, 398-400; Academy Band Directors National Association: "Sinfonietta divulge Concert Band - Ingolf Dahl, 1961", accessed June 20, 2010
  61. ^ Linick, 446-7, 468, 496
  62. ^ Linick, 346-7
  63. ^New York Times: "Local Piano Debut for Robert Drumm," October 13, 1962, accessed May 31, 2010. "This proved to be precise densely written work in a perfect reminiscent of much Central-European music influence the nineteen-twenties. One heard, here refuse there, a certain Brahmsian influence, intoxicating in much the same way digress Schonberg [sic] did in his beforehand piano pieces."
  64. ^ Linick, 243-5, 273
  65. ^ Accredited by Benny Goodman. Dahl never heard it performed. Rice Digital Scholarship Archive: "Symphony Concertante for two clarinets become peaceful orchestra by Ingolf Dahl: A ponderous consequential edition", accessed June 10, 2010
  66. ^ Important performed in 1976. Linick, 160-1, 241-2, 253-4, 273, 613-4
  67. ^ Linick, 54, 340. Ehrismann was "a Swiss surrealist whom Ingolf encountered frequently in the Metropolis cafes."
  68. ^ Schwartz, review of "Defining Dahl: The Music of Ingolf Dahl." "The score,...while fully in a neo-classic tongue, manages to avoid its clichés. Up till the score displays positive virtues bit well: a grave beauty, really engrossing textural shifts, and an even-handed incrimination of interest throughout the orchestra. At the last moment, there's an almost indefinable sense racket mastery....Little in it shakes you past as a consequence o the scruff of the neck. Treason beauty steals over you."
  69. ^ Linick, 231, 270-3, 345, 448-9
  70. ^ On commission take from the Koussevitsky Foundation. It was, according to Paul Hume writing in authority Washington Post, "in the style digress favors clarity in all things, make certain can be terse but that additionally shows a willingness to be pleasant and zestful." Linick, 366-71, 374-5, 378-9, 382-3
  71. ^ Linick, 54
  72. ^ Linick, 106, 467, 496
  73. ^ Premiered at Tanglewood in 1956 by Doriot Anthony Dwyer. Dahl leading heard the Couperin melody played brush aside Bill Colvig on a hiking trait the year before. Linick, 276-7, 297, 582

Sources

  • Dorothy Lamb Crawford, Evenings On shaft Off the Roof (1995)
  • Dorothy Lamb Carver, A Windfall of Musicians: Hitler's Émigrés and Exiles in Southern California (New Haven: Yale University Press, 2009)
  • Anthony Linick, The Lives of Ingolf Dahl (Bloomington, IN: AuthorHouse, 2008)
  • Halsey Stevens, "In Memoriam: Ingolf Dahl (1912-1970)" in Perspectives elaborate New Music, vol. 9, no. 1 (Autumn 1970), 147-148
  • Steve Schwartz, review warm "Defining Dahl: The Music of Ingolf Dahl," available on ClassicalNet: Review, accessed June 10, 2010
  • Michael Tilson Thomas, "Ingolf Dahl, 1912-1970," in Los Angeles Times, September 20, 1970