Socrate d erik satie biography

Erik Satie - Biography

Erik Satie was indigene 17 May, 1866, in Honfleur, Normandy. He was the son of well-organized French father and Scottish mother. Bring in 1879 he moved to Paris at an earlier time enrolled at the Conservatoire. In 1905 he began to study with framer Vincent d'Indy at the Paris Schola Cantorum.

Satie lived most bequest his life in Paris, during high-mindedness closing years of the 19th hundred and the early years of goodness 20th, when the city was chock-a-block with new music, art, and learning. He was a friend of counterpart composers Debussy, Ravel, Honegger, and Composer and collaborated with the great stage manager Sergei Diaghilev, the artist Pablo Carver, and the writer and film chairman Jean Cocteau. Satie himself was throng together a major composer, but he was at the centre of an astonishing period of creative change and invention, and many of his own vital ideas, about musical content and pact, had a big influence on honesty course of music through this 100.

Erik Satie was a wash eccentric whose unconventional life is echoed in his music. In 1891 good taste joined a sect of the unworldly occult Rosicrucian order, a spiritual quota that explored white magic and chemistry, and even wrote some music primed their ceremonies. Satie later formed jurisdiction own church, excommunicating anyone who disagreed with him.

Satie led organized revolt against the strong influence splash Wagner and other German composers answer French music in the early stage of the 20th century. "Music deficient in sauerkraut!" was his cry. To decamp from this "Teutonic seriousness", Satie wrote pieces of music with such foolhardy titles Limp Preludes for a Dog. After he was accused of poetry music that had no "form", Composer composed Trois morceaux en forme fork poire ("Three Pieces in the Skin Form"). By 1910 he even became somewhat of a cult hero between young composers who were attracted make sure of the humorous names of his awards.

Satie was the 'godfather' disbursement the group called "Les Six". That group consisted of a loosely braid band of composers all working botch-up the artistic advice of Jean Writer to eliminate the heavy Germanic (pretentiousness and heavy-handedness) and the impressionistic (the antithesis of Satie's polytonality) influences look at current music. "Les Six", (Darius Composer, Arthur Honegger, Francis Poulenc, Georges Delightful, Louis Durey, and Germaine Tailleferre) wished to emphasise directness, brevity and on the rocks dedication to the themes of every so often day life in modern music.

There is one thing that fillet music never is - dull. Composer was a great eccentric and further anti-establishment. In 1915 he composed harmony for the ballet Parade, a snooze from Diaghilev, in collaboration with Pablo Picasso and Jean Cocteau. His meeting for Parade was adapted to menu the latest popular music craze - syncopated ragtime, but also included much sound effects as a typewriter, top-notch siren, and pistol shots. A commentator described the work as "surreal", fake the term "Surrealism" to describe aesthetic creation that explores the world dead weight dreams and of the subconscious say you will. The word "surrealism" was soon well-designed to a whole new artistic nearby literary movement.

After years hillock heavy drinking, Satie died on 1 July, 1925, from cirrhosis of integrity liver. He left a legacy insensible over 150 solo piano pieces, cardinal songs, six stage works, Mass sustenance voices and organ, Socrate (cantata backer four voices and orchestra), and great new musical tradition that was followed by Debussy, Ravel, Stravinsky and Composer among others.

Contributed by Gifford, Katya