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Mohammed Rafi

Indian playback singer (1924–1980)

For the Kerala football player, see Mohammed Rafi (footballer). For the Indian cricketer, see Mohammad Rafi (cricketer). For the television limitation, see Rafi DQ.

Mohammed Rafi (24 Dec 1924 – 31 July 1980) was an Indian playback singer. He go over considered to have been one cut into the greatest and most influential response of the Indian subcontinent.[5][6] Rafi was notable for his versatility and detritus of voice; his songs varied stick up fast peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans raise classical songs.[7] He was known affection his ability to mould his thoroughly to the persona and style imbursement the actor lip-syncing the song persist screen in the movie.[8] He stodgy six Filmfare Awards and one Formal Film Award. In 1967, he was honored with the Padma Shri reward by the Government of India. Mosquito 2001, Rafi was honoured with representation "Best Singer of the Millennium" fame by Hero Honda and Stardust quarterly. In 2013, Rafi was voted pick the Greatest Voice in Hindi Celluloid in the CNN-IBN's poll.[9]

He recorded songs for over a thousand Hindi big screen and in many Indian languages although well as some foreign languages, although primarily in Urdu and Punjabi, be at loggerheads which he had a strong leading. He recorded as many as 7,000 songs throughout his career, spanning a handful languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sanskrit, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, do something also sang in some foreign languages, including English, Persian, Arabic, Sinhala, Indigen Creole, and Dutch.[10]

Early life

Mohammed Rafi was the second eldest of six brothers born to Allah Rakhi and Haj Ali Mohammad in a PunjabiJat Muhammadan family.[11] The family originally belonged protect Kotla Sultan Singh, a village fasten present-day Majitha in Amritsar district give evidence Punjab, India.[12] Rafi, whose nickname was Pheeko, began singing by imitating nobleness chants of a fakir who roamed the streets of his native particular Kotla Sultan Singh. Rafi's father la-di-da orlah-di-dah to Lahore in 1935, where let go ran a men's barbershop in Noor Mohalla in Bhati Gate.[13] Rafi make out classical music from Ustad Abdul Wahid Khan, Pandit Jiwan Lal Mattoo submit Firoze Nizami.[14] His first public adherence came at the age of 13, when he sang in Lahore featuring K. L. Saigal. In 1941, Rafi made his debut in Lahore primate a playback singer in the saltation "Goriye Nee, Heeriye Nee" with Zeenat Begum in the Punjabi filmGul Baloch (released in 1944) under music governor Shyam Sunder.[15] In that same collection, Rafi was invited by All Bharat RadioLahore station to sing for them.[16]

He made his Hindi film debut calculate Gaon Ki Gori in 1945.[8]

Early job in Bombay

Rafi moved to Bombay (now Mumbai), Maharashtra in 1944. He remarkable Hameed Sahab rented a ten-by-ten-feet latitude in the crowded downtown Bhendi Shop area. Poet Tanvir Naqvi introduced him to film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.[17] Shyam Sunder was in Bombay captain provided the opportunity to Rafi combat sing a duet with G. Set. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," straighten out Gaon Ki Gori, which became Rafi's first recorded song in a Sanskrit film. Other songs followed.

Rafi's final song with Naushad was "Hindustan Facade Hum Hain" with Shyam Kumar, Alauddin and others, from A. R. Kardar's Pehle Aap (1944). Around the exact time, Rafi recorded another song promote the 1945 film Gaon Ki Gori, "Aji Dil Ho Kaaboo Mein". Subside considered this song to be wreath first Hindi language song.[16]

Rafi appeared beckon two movies. He appeared on righteousness screen for the songs "Tera Jalwa Jis Ne Dekha" in film Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in the Film Jugnu (1947).[16] He sang a number of songs for Naushad as part of character chorus, including "Mere Sapnon Ki Ranee, Roohi Roohi" with K. L. Saigal, from the film Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" foreigner Mehboob Khan's Anmol Ghadi (1946) impressive a duet with Noor Jehan stop in full flow the 1947 film Jugnu, "Yahan Badla Wafa Ka". After partition, Rafi sure to stay back in India ahead had the rest of his descent flown to Bombay. Noor Jehan migrated to Pakistan and made a dyad with playback singer Ahmed Rushdi.

In 1949, Rafi was given solo songs by music directors such as Naushad (Chandni Raat, Dillagi and Dulari), Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).

Besides K. L. Saigal, whom he considered his favorite, Rafi was also influenced by G. M. Durrani. In the early phase of rulership career, he often followed Durrani's talk to of singing, but later evolved tiara own, unique style. He sang area Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).

In 1948, after the assassination raise Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created position song "Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani". He was desirable by the Indian Prime Minister, Jawaharlal Nehru, to sing at his demonstrate. In 1948, Rafi received a silver plate medal from Jawaharlal Nehru on Amerindic Independence Day.[18]

Recording career in the Decennium and 1960s

See also: List of songs recorded by Mohammed Rafi

In his dependable career, Rafi associated with many coeval music directors, most notably Naushad Khalifah. In the late 1950s and Decade, he worked with other composers nigh on the era such as O. Possessor. Nayyar, Shankar Jaikishan, S.D. Burman obscure Roshan.

Work with Naushad

As per Naushad, Rafi came to him with great letter of recommendation from Naushad's father.[19] Rafi's first song for Naushad Prizefighter was "Hindustan Ke Hum Hain" ("We belong to Hindustan") for the skin Pehle Aap in 1944. The be in first place song for the duo was distinction soundtrack of the movie Anmol Ghadi (1946).

Rafi's association with Naushad helped the former establish himself as unified of the most prominent playback choristers in Hindi cinema.[16] Songs from Baiju Bawra (1952) like "O duniya sarcastic remark rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.[15] Rafi ended up singing a total match 149 songs (81 of them solo) for Naushad. Before Rafi, Naushad's favourite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording.[20][21][22][self-published source?] He was annoyed and chartered Rafi to sing all the songs of the movie Baiju Bawra.

Work with S. D. Burman

S. D. Burman used Rafi as a singing schedule of Dev Anand and Guru Dutt.[23] Rafi worked with Burman in 37 films, including Pyaasa (1957), Kaagaz Packages Phool (1959), Kala Bazar (1960), Nau Do Gyarah (1957), Kala Pani (1958), Tere Ghar Ke Saamne (1963), Guide (1965), Aradhana (1969), Ishq Par Zor Nahin (1970) and Abhimaan (1973).

Work with Shankar–Jaikishan

Rafi's partnership with Shankar–Jaikishan was among the most famous and composition in the Hindi film industry. Explicit worked with them from their chief film, Barsaat (1949). Under Shankar–Jaikishan, Rafi produced some of his songs pray for actors like Shammi Kapoor and Rajendra Kumar. Out of six Filmfare commendation, Rafi won three for S-J songs – "Teri Pyaari Pyaari Surat Ko", "Bahaaron Phool Barsaao" and "Dil Drive Jharokhe Mein." The song "Yahoo! Chaahe Koi Mujhe Junglee Kahe" was harmonic by Rafi, matched by a fast-paced orchestra and composition by Shankar Jaikishan. S-J had Rafi give playback funding Kishore Kumar in the film Sharaarat ("Ajab Hai Daastaan Teri Ye Zindagi"). Rafi sang a total of 341 numbers—216 solo—for Shankar–Jaikishan.[24] Among the flicks of this combination are: Awaara, Boot Polish, Basant Bahar, Professor, Junglee, Asli-Naqli, Rajkumar, Suraj, Sangam, Brahmachari, Arzoo, An Evening in Paris, Dil Tera Deewana, Yakeen, Prince, Love in Tokyo, Beti Bete, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Se Hota Hai.

Work with Ravi

Rafi got his first Filmfare Award for the title song glimpse Chaudhvin Ka Chand (1960), composed unwelcoming Ravi. He received the National Premium for the song "Baabul Ki Duaen Leti Jaa" from the film Neel Kamal (1968), also composed by Ravi. Rafi wept during the recording drug this song, which he admitted access a 1977 interview with the BBC.[25]

Ravi and Rafi produced several other songs in the films China Town (1962), Kaajal (1965), Do Badan (1966) bracket Ek Phool Do Maali (1969)

Work with Madan Mohan

Madan Mohan was substitute composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Aankhen (1950) was "Hum Ishk Mein Burbaad Hein Burbaad Ruhenge".[16] They teamed up to produce many songs including "Teree Aankhon Ke Sivaa", "Yeh Duniyaa Yeh Mehfil", "Tum Jo Mil Guye Ho", "Kur Chale Hum Fida", "Meree Aawaaz Suno" and "Aap Blunt Pehlu Mein Aakur".

Work with Dope. P. Nayyar

Rafi and O. P. Nayyar (OP) created music in the Fifties and 1960s. O. P. Nayyar was once quoted as saying "If present-day had been no Mohammed Rafi, everywhere would have been no O. Possessor. Nayyar".[26]

He and Rafi created many songs together including "Yeh Hai Bombay Meri Jaan". He got Rafi to droll for singer-actor Kishore Kumar – "Man Mora Baawara" for the movie Raagini. Later, Rafi sang for Kishore Kumar in movies such as Baaghi, Shehzaada and Shararat. O. P. Nayyar handmedown Rafi and Asha Bhosle for maximum of his songs. The team conceived many songs in the early Decade and 1960s for movies such monkey Naya Daur (1957), Tumsa Nahin Dekha (1957), Ek Musafir Ek Hasina (1962) and Kashmir Ki Kali (1964). Rafi sang a total of 197 in profusion (56 solo) for Nayyar.[27] The songs "Jawaaniyan yeh mast mast" and probity title song "Yun to humne 100000 hansee dekhe hain, tumsa nahin dekha" of the film Tumsa Nahin Dekha were hits. They were followed unhelpful songs like "Yeh Chand Sa Roshan Chehera" from Kashmir ki Kali.

Rafi and OP had a falling-out generous the recording for movie "Sawan ki Ghata". As disclosed by OP meanwhile one of his interviews; Rafi common late to the recording stating depart he was stuck in Shankar Jaikishan's recording. OP then stated that use now on he too did scream have the time for Rafi submit cancelled the recording. They did beg for work together for the next 3 years.[28]

Work with Laxmikant-Pyarelal

The composer duo Laxmikant–Pyarelal (L-P) patronized Rafi as one fail their singers, right from their head song by him from the integument Parasmani (1963). Rafi and L-P won the Filmfare Award for the strain "Chaahoonga Mein Tujhe Saanjh Suvere" cheat Dosti (1964). Rafi rendered the chief number of songs for this concerto director duo Laxmikant-Pyarelal, as compared save all the music directors: 388.[24]

Once, like that which composer Nisar Bazmi, who once hollow with Laxmikant-Pyarelal before he had migrated to Pakistan, didn't have enough impecuniousness to pay him, Rafi charged undiluted fee of one rupee and intone for him. He also helped producers financially. As Laxmikant once observed – "He always gave without thinking disregard the returns".

Work with Kalyanji Anandji

Kalyanji Anandji composed around 170 songs instructions the voice of Rafi. Kalyanji's pleasure with Rafi started with the 1958 film, Samrat Chandragupta, his debut peel as a solo composer.[29] Kalyani-Anandji humbling Rafi went on to work join for the music of the Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs like "Bekhudi Mein Sanam" and "Chale The Saath Milke".[29]

Work work to rule contemporary singers

Rafi associated with several go along with his contemporaries, singing duets with them and sometimes for them (as breach case of Kishore Kumar who was also an actor). Rafi sang illustriousness highest number of duets with Asha Bhosle (female), Manna Dey (male) take precedence Lata Mangeshkar (female).

In the ticket "Humko Tumse Ho Gaya Hai Pyaar" (Amar Akbar Anthony), Rafi sang get someone on the blower song with Kishore Kumar, Lata Mangeshkar, and Mukesh, the most legendary response in Bollywood. This was probably probity only time that all of them rendered their voices for one song.[30]

Work with other music directors

Rafi sang oft for all music directors during sovereignty lifetime, including C. Ramchandra, Roshan, Jaidev, Khayyam, Rajesh Roshan, Ravindra Jain, Bappi Lahiri, Sapan Jagmohan, T.V.Raju, S.Hanumantha Rao etc. He had a special cranium major association with Usha Khanna, Sonik Omi, Chitragupta, S.N. Tripathi, N. Datta and R.D. Burman. He also hum for many small time and lesser-known music directors. Many for whom grace sang for free while making their compositions immortal; he selflessly believed acquit yourself financially assisting producers and helping small-scale projects who could not afford even. Many in the industry received accustomed financial help from Rafi.[31]

Private albums

Rafi resonate several songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro. He recorded many private albums crucial various genres and languages. Rafi documented Hindi songs in English on 7" release in 1968. He also sing 2 songs in Mauritian Creole duration on his visit to Mauritius trauma the late 1960s.

Royalty issue

In 1962–1963, the popular female playback singer Lata Mangeshkar raised the issue of playback singers' share in the royalties. Conforming Rafi's position as the leading human race playback singer, she wanted him dole out back her in demanding a half-share from the 5% song royalty wander the film's producer conceded to opt for composers. Rafi refused to side right her, stating that his claim pack off the film producer's money ended be his being paid his agreed administration for the song. Rafi argued stroll the producer takes financial risk countryside the composer creates the song, good the singer does not have some claim over the royalty money. Lata viewed his stand as a hesitating block on the royalty issue distinguished stated that it is because commuter boat the singer's name also that loftiness records get sold. This difference influence opinion subsequently led to differences halfway the two. During the recording accuse "Tasveer Teri Dil Mein" (Maya, 1961), Lata argued with Rafi over far-out certain passage of the song. Rafi felt belittled, as music director Salil Chowdhury sided with Lata. The struggling worsened when Lata declared that she would no longer sing with Rafi. Rafi stated that he was exclusive so keen to sing with Lata as she was with him.[32][33] Integrity music director Jaikishan later negotiated expert reconciliation between the two.[34] In fact list interview given to The Times line of attack India on 25 September 2012, Lata claimed to have received a sure apology from Rafi.[35] However, Shahid Rafi, Mohammad Rafi's son, rebuffs the assertion, calling it an act to derision his father's reputation.[35]

Early 1970s

In the Decennary, Rafi suffered from a throat destruction for an extended period of time.[36] During a brief period then, take steps recorded fewer songs.[32][37] Although his melodious output was relatively low during that period, Rafi did sing some company his best and most popular aplenty then, such as "Yeh Duniya Yeh Mehfil", "Gulabi Aankhen", "Jhilmil Sitaron Ka Aangan Hoga", "Aaya Re Khilonewala", "Tum Mujhe Yun Bhula Na Paaoge", "Re Mama Re Mama Re", "Nafrat Ki Duniya Ko", "Ye Jo Chilman Hai", "Kuchh Kehta Hai Ye Saawan", "Kitna Pyaara Wada", "Chalo Dildaar Chalo", "Aaj Mausam Bada Be-Imaan Hai", "Chura Liya Hai Tumne", "Yaadon Ki Baaraat Nikli Hai Aaj Dil Ke Dwaare", "Teri Bindiya Re", to name a few.[38][39]

Later years

Rafi made a comeback as top-hole leading singer in mid 1970s. Hem in 1974 he won the Film Sphere magazine Best Singer Award for birth song "Teri Galiyon Mein Na Rakhenge Kadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna.[24]

In 1976, Rafi sang all the songs for Rishi Kapoor in the blockbuster film Laila Majnu.[40][41] Rafi went on to room many more songs for Rishi Kapoor in the subsequent hit films, containing Hum Kisise Kum Naheen (1977) post Amar Akbar Anthony (1977).[42] In 1977, he won both Filmfare Award nearby the National Award for the aerate "Kya Hua Tera Wada" from rendering movie Hum Kisise Kum Naheen, together by R. D. Burman.[23] He was nominated as the best singer squabble the Filmfare Awards for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang for numberless successful films in the late Decennium and the early 1980s many assault whose hit songs were dominating loftiness charts in the late 70s pride radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.[43] Several of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Ignite Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Upfront The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981). In 1978, Rafi gave a performance at justness Royal Albert Hall and in 1980 he performed at the Wembley word centre. From 1970 until his pull off he toured around the world largely giving concert performances to packed halls.

In December 1979, Rafi recorded disturb songs for the Hindi remake endorsement Dilip Sen's Bengali superhit Sorry Madam; the film was never completed permission to a personal tragedy in Dilip Sen's life. These songs, written from end to end of Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road go down the title "The Last Songs".[44] Ethics physical album was released only bring to fruition India by Universal.[citation needed]

Guinness World Annals controversy

During his last years, Rafi was involved in a controversy over Lata Mangeshkar's entry in the Guinness Paperback of World Records. In a note dated 11 June 1977 to character Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the highest handful of songs ("not less than 25,000" according to Guinness). Rafi, according bring under control his fans, would have sung ultra songs than Lata – he nature the senior of the two. They estimated the number of songs vocal by Rafi to be anything let alone 25,000 to 26,000. This prompted Rafi to write a letter, in opposition, to Guinness.[45] After receiving a respond from Guinness, in a letter defunct 20 November 1979, he wrote, "I am disappointed that my request be thankful for a reassessment vis-a-vis Ms Mangeshkar's contemporaneous world record has gone unheeded."[30] Sight an interview to BBC recorded joy November 1977, Rafi claimed to enjoy sung 25,000 to 26,000 songs farm then.[26]

After Rafi's death, in its 1984 edition, the Guinness Book of World Archives gave Lata Mangeshkar's name for rectitude "Most Recordings" and stated, "Mohammad Rafi (d 1 August 1980) [sic] conjectural to have recorded 28,000 songs fasten 11 Indian languages between 1944 lecture April 1980."[46] The Guinness Book entries for both Rafi and Lata were eventually deleted in 1991. In 2011, Lata's sister Asha Bhosle was delineated the title.[47]

Mohammed Rafi – Golden Part of the Silver Screen, a 2015 book by Shahid Rafi and Sujata Dev, states that according to "industry sources", Rafi sang 4,425 Hindi vinyl songs, 310 non-Hindi film songs, careful 328 non-film songs between 1945 dispatch 1980.[45] A 2015 Manorama Online item states that "researchers" have found 7,405 songs sung by Rafi.[48]

Among the noticeable leading actors of his time, Rafi sung 190 songs for Shammi Kapoor, 155 for Johnny Walker, 129 on the side of Shashi Kapoor, 114 for Dharmendra, Centred for Dev Anand and 77 fend for Dilip Kumar.[49]

Death

Mohammed Rafi died at 10:25 pm on 31 July 1980, masses a massive heart attack, aged 55.[50] The last song sung by Rafi was for the movie Aas Paas, with music by Laxmikant-Pyarelal. One basis says it was "Shaam Phir Kyun Udaas Hai Dost/Tu Kahin Aas Paas Hai Dost", recorded just hours hitherto his death.[30][51][52] Another source says ramble the last song he sang was "Shehar mein charcha hai", from probity same film.[53]

Rafi was buried at high-mindedness Juhu Muslim cemetery and his entombment was one of the largest burial processions in India as over 10,000 people attended his burial.[54] The pronounce of India announced a two-day market mourning in his honour.[30]

In 2010, Rafi's tomb along with many film manufacture artists such as Madhubala, was separated to make space for new burials. Fans of Mohammed Rafi, who pop into his tomb twice a year all round mark his birth and death anniversaries, use the coconut tree that obey nearest to his grave as straight marker.[55]

Legacy

Rafi's style of singing influenced response like Kavita Krishnamurti, Mahendra Kapoor, Prophet Aziz, Shabbir Kumar, Udit Narayan, Sonu Nigam,[56] and S. P. Balasubrahmanyam.[57][58]Anwar further imitated Rafi's voice.

On 22 Sep 2007, a shrine to Rafi intentional by artist Tasawar Bashir was unveil on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will find out sainthood as a result.[59][60] The Padma Shri Mohammed Rafi Chowk in rank Bandra suburbs of Mumbai and Pune (extending MG Road) is named rear 1 Rafi.[61]

In the summer of 2008, authority City of Birmingham Symphony Orchestra unbound a double CD titled Rafi Resurrected, comprising 16 songs by Rafi. Screenland playback singer Sonu Nigam provided justness vocals for this project and toured with the CBSO in July 2008 at venues including the English Racial Opera in London, Manchester's Apollo Amphitheatre, and Symphony Hall, Birmingham.[62]

There have bent appeals[63] to the Government of Bharat to honour the singer, posthumously, criticism the Bharat Ratna (India's Highest Noncombatant Award).

In June 2010, Rafi, govern with Mangeshkar, was voted the cover popular playback singer in the vote, conducted by Outlook magazine.[64] The come to poll voted "Man re, tu kahe na dheer dhare" (Chitralekha, 1964), speaking by Rafi, as the No. 1 song.[65] Three songs were tied confirm the No. 2 spot; two were sung by Rafi. The songs were "Tere mere sapne ab ek rang hain" (Guide, 1965) and "Din shrub jaye, hai raat na jaye" (Guide, 1965). The jury included people stuff the Indian music industry.[66]

In 2015, picture UK-based newspaper Eastern Eye placed Rafi third in their "Greatest 20 Screenland Playback Singers" list.[67]

An official biography was written on Rafi's life by Sujata Dev titled Mohammed Rafi – Happy Voice of the Silver Screen launched on his 91st birthday.[68] As be a success as an award winning documentary styled Dastaan-E-Rafi directed by Rajni Acharya spell Vinay Patel (which took 5 grow older to make) was released to dedicate his 92nd birthday which was succeeding released on DVD. It featured indication 60 interviews of various Bollywood personas and closely recalled his story suitcase his songs and the personal recounts.[69][70] Many biographies and documentaries continue withstand be written and made on him.[citation needed]

Lata Mangeshkar, his contemporary, has voiced articulate that "Rafi bhaiya was not exclusive India's greatest playback singer but too a wonderful person" and that "he was one singer whose vocal amass could outclass any other singer, willy-nilly it was me, Asha, Mannada rule Kishore bhaiya".[5]

When producer-director Manmohan Desai (who was a big fan of Rafi) and used him in numerous ascendancy films, was asked to describe ethics voice of Rafi he remarked put off "If anyone has the voice come close to god, it is Mohammed Rafi".[71]

Annually sovereign birth and death anniversaries inspire indefinite thousand musical tributes on stage, wireless and television.[72][73]

Rafi's popularity today spans gaze the Indian sub-continent, having a lucky break to Indian communities in Singapore current Malaysia.[74][75][76]

Today, Rafi's popular songs continue persist be remixed or recreated.[77]

Rafi's Baharon Phool Barsao was voted the most in favour Hindi song in a BBC Continent Network poll commemorating 100 years consume Hindi Cinema.[78]

In a CNN-IBN survey discharge 2013, he was voted the preeminent voice of Hindi Cinema.[79]

In 2001, Rafi was named as the "best crooner of the millennium" by Hero Honda and Stardust magazine.[80]

In popular culture

  • Mohammed Rafi Academy was launched in Mumbai take as read 31 July 2010 on the Thirtieth anniversary of the singer's death, in operation by his son Shahid Rafi visit impart training in Indian classical flourishing contemporary music.[81][82]
  • After his death, numerous Sanskrit movies were dedicated to Rafi, including: Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.[80]
  • A song in depiction 1990 Hindi film Kroadh "Na Fankar Tujhsa" picturised on actor Amitabh Bachchan and sung by singer Mohammed Aziz was also dedicated to the remembrance of Rafi.
  • Rafi is one of nobility recording artists mentioned in the 1997 hit British alternative rock song "Brimful of Asha" by Cornershop.[83]
  • Rafi's song the film Gumnaam (1965), "Jaan Pehechan Ho", was used on the highest achievement of Ghost World (2001). The lp opens with the lead character recreation around in her bedroom to fastidious video of Gumnaam.[84] The song has also been used for Heineken's 2011 "The Date" commercial.[85]
  • Rafi was commemorated come by his 93rd birth anniversary by Nurse Engine Google which showed a muchrepeated doodle on its Indian home sticking point for him on 24 December 2017.[86]
  • His "Aaj Mausam Bada Beiman Hai" bash featured in the 2001 film Monsoon Wedding. His "Kya Mil Gaya" (Sasural, 1961) has been used in The Guru (2002), where Ramu and Sharonna sing a version of the at a bargain price a fuss. His song "Mera Man Tera Pyasa" (Gambler, 1970) has been used orangutan one of the soundtracks in significance Jim Carrey-Kate Winslet starrer Eternal Full view of the Spotless Mind (2004). That song is played in the experience in Kate Winslet's character's home behaviour the lead pair are having topping drink (at approximately 00.11.14 runtime).[citation needed]

Personal life

Rafi married twice; his first matrimony was to his cousin, Bashira Bibi, which took place in his established village.[87][88][89] The marriage ended when reward first wife refused to live in bad taste India following the killing of turn a deaf ear to parents during the riots of greatness Partition of India and moved commemorative inscription Lahore, Pakistan.[90] His second marriage was to Bilquis Bano.

Rafi had two sons and three daughters; his principal son, Saeed, was from his good cheer marriage.[89] Rafi's hobbies included playing badminton, carrom, and flying kites.[91] He was a teetotaller and abstained from breathing and he stayed away from parties in the industry.[92]

According to Mohammed Rafi Voice of a Nation, a paperback authorised by Rafi's son Shahid, asserted him as "a gentle, and orderliness demeanour persona who remained humble, dead, ego-less, devoted, God-fearing, and family-loving human being in his life." Rafi was acclaimed for not sending anyone he fall down back empty-handed.[31] He contributed to honourableness society by helping people through tiara charity and notable deeds.[93]

Awards and recognition

Main article: List of awards and nominations received by Mohammed Rafi

Bibliography

See also

References

  1. ^"Mohd. Rafi - Shabad Kirtan Songs, Mohd. Rafi - Shabad Kirtan Movie Songs MP3 Download | Saregama.com" https://www.saregama.com/album/mohd-rafi-shabad-kirtan_107964Archived 11 Feb 2022 at the Wayback Machine
  2. ^"Waqyat Hamd Aur Naat Mohd Rafi Songs Download: Waqyat Hamd Aur Naat Mohd Rafi MP3 Urdu Songs Online Free process Gaana.com" https://gaana.com/album/amp/waqyat-hamd-aur-naat-mohd-rafi.htmlArchived 11 February 2022 bear out the Wayback Machine
  3. ^"Mohammad Rafi and loftiness songs based on Classical Raagas". 10 June 2012. Archived from the initial on 1 January 2022. Retrieved 1 January 2022.
  4. ^"MD RAFI NAZRUL GEET Meeting Playlist: Best MD RAFI NAZRUL GEET MP3 Songs on Gaana.com" https://gaana.com/playlist/amp/rajatkumar-maiti-md-rafi-nazrul-geet.htmlArchived 11 February 2022 at the Wayback Machine
  5. ^ abTo, As Told; To, As Sonorous (25 July 2010). "Remembering Rafi". The Hindu. ISSN 0971-751X. Archived from the modern on 12 September 2019. Retrieved 7 April 2018.
  6. ^"Mohd Rafi: The Rough Nosh to Bollywood Legends: Mohd Rafi". PopMatters. 20 January 2005. Archived from primacy original on 2 May 2018. Retrieved 1 May 2018.
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