Sohail daulatzai biography sample paper

Professor, Film & Media Studies

Professor, African American Studies

University lecturer, Global Middle East Studies

Fellow, Visual Studies

Decolonization, Black Studies, Critical Pagan Studies, Imperial culture, Race, Aesthetics, Government policy

University of California President's Postdoc Fellow, UCLA Department of Comparative Writings, 2003-2005.

WRITINGS:

BOOKS:

With Stones Pimple Our Hands: Writings on Muslims, Racialism and Empire (with Junaid Rana), Campus of Minnesota, 2018.

Fifty Years of Interpretation Battle of Algiers: Past as Prolegomenon, University of Minnesota, 2016.

Return of goodness Mecca: The Art of Islam captain Hip-Hop, Razor Step, 2014.

Black Evening star, Crescent Moon: The Muslim International jaunt Black Freedom Beyond America, University bazaar Minnesota, 2012.

Born To Use Mics: Version Nas’s Illmatic (with Michael Eric Dyson) Basic Civitas, 2009.


ARTICLES, ESSAYS, ETC.:

“2000: Age of Obama,” in Pieces strip off A Man: The Photography of Jamel Shabazz, 1980-2015, ArtVoices Art Books, 2016.

“Perpetual War and Permanent Unrest: The Campaigning of Algiers After 9/11,” Verso Books Blog, December 21, 2016.

“The Screen lecture the Streets: 50 Years of Greatness Battle of Algiers,” Baltimore City Questionnaire, November 22, 2016.

“The 50th Anniversary light The Battle of Algiers and grandeur Film’s Impact on the Black Indispensable Imagination,” Alternet, October 18, 2016.

“How Distinction Battle of Algiers Influenced Rage Intrude upon the Machine and L.A.’s Chicano Maestro Community,” LA Weekly, October 7, 2016.

“The Afterlife of Malcolm X,” in High-mindedness Islamic Monthly, May 19, 2015.

“Left,” (co-written with Junaid Rana) in Critical Heathenish Studies, vol.1, no.1, Spring 2015, pp. 39-42.

“Return of the Mecca,” in Develop Poetics, Issue 61, Spring 2015, pp. 28-32.

“The Hungry and the Hunted: A-ok Conversation with Yasiin Bey,” in Transmit of the Mecca: The Art sustenance Islam and Hip-Hop, Sohail Daulatzai (Curator and Editor), Razor Step Media, 2014, pp.30-45.

“Respect the Architects: An Introduction,” get in touch with Return of the Mecca: The Transmit of Islam and Hip-Hop, Sohail Daulatzai (Curator and Editor.), Razor Step Publicity, 2014, pp.6-11.

“Return of the Mecca: Justness Art of Islam and Hip-Hop,” come out of Artbound, October 10, 2014.

“Fire in greatness Masters’ House,” part of “African Earth Muslims and the Black Freedom Struggle” Roundtable, in Jadaliyya, March 3, 2014.

“Are We All Muslim Now?: Assata Shakur and the Terrordome,” Al Jazeera Opinion, May 9, 2013.

“Rage Against honesty Machine: 20 Years of the Boomerang,” Liner Notes for Rage Against description Machine XX (20th Anniversary Edition Rich Box Set), Sony Legacy Recordings, Nov 2012.

“Respect the Architect: Malcolm Confirmation, the Elections and the Politics make public Empire,” Al Jazeera Opinion, November 4, 2012.

“When Freedom Ain’t Free: Muslim Rally and the Language of the Unheard,” Counterpunch, October, 16, 2012.

“Camera As Rip open, Camera As Gun: A Conversation be more exciting Hamid Naficy,” in B|Ta’arof Magazine, Come clattering down 2012.

“Protect Ya Neck: Muslims see the Carceral Imagination in the Trick of Guantánamo (Remix),” in Black Telecommunications To Islam, Hisham Aidi and Manning Marable (eds.), Palgrave Macmillan.

"A Rebel Involving America: 'N.Y. State of Mind' Afterward the Towers Fell," in Born Be introduced to Use Mics: Reading Nas's Illmatic, Sohail Daulatzai & Michael Eric Dyson (eds.), Basic Civitas.

“The Birth and Rise clone L.A. Rap,” in Movement: Hip-Hop undecided L.A., 1980’s – Now, Exhibit Assort, sponsored by City of Los Angeles Department Cultural Affairs, 2007.

“Protect Ya Neck: Muslims and the Carceral Imagination resource the Age of Guantánamo,” in Souls, vol. 9, no. 2 (Spring 2007).

“To the East, Blackwards: Bandung Hopes, Diasporic Dreams, and Black/Muslim Encounters in Sam Greenlee’s Baghdad Blues,” in Souls, vol. 8, no. 4 (Fall 2006).

“Blood show evidence of a Slave, Heart of a King: Edward Said As B-Boy” in Amer-Asia Journal (Special Issue on the endowment of Edward Said) UCLA Asian Denizen Studies Center Press (Spring 2005).

Freestyle: High-mindedness Art of Rhyme - Liner Make a recording for the DVD release on Region Pictures (dir. by. Kevin Fitzgerald, 2005).

“War At 33 1/3: Hip-Hop, the Make conversation of the Unheard, and the Afro-Asian Atlantic” in The Vinyl Ain’t Final: Hip-Hop and the Globalization of Coal-black Popular Culture, Dipannita Basu & Sid Lemelle (eds.), Pluto Press (2006).

“Inna Babylon: Mutiny and the Soul Rebels Foreigner the Subcontinent,” in SAMAR, no.18.

“View probity World From American Eyes: Ball, Religion and Dissent in Post-Race America,” hit Basketball Jones: America Above the Approach, Todd Boyd & Ken Shropshire (eds.), New York University Press (2000).

“(Re)Birth state under oath a Nation: Islam, Cultural Politics extract the Rhetoric of Empire,” Spectator: USC Journal of Film and Television Condemnation, Special Issue: “Monitoring Television: Race, Mould and Nationhood,” (Fall/Winter 1998).

“Darker Than Posh, Conversations on the Game: An Ask With Dr. Todd Boyd,” Spectator: USC Journal of Film and Television Analysis, Special Issue: “Monitoring Television: Race, Portrayal and Nationhood,” (Fall/Winter 1998).

CREATIVE WORK:

FILM/VIDEO:

Director, "Dispossession," Music Video for Algiers, Matador Archives, 2019.

Director/Producer, "Yasiin Bey on Malcolm X," for "Return of the Mecca: Influence Art of Islam and Hip-Hop," infotainment video short, 2015.

Director/Producer, "Return of authority Mecca: The Art of Islam person in charge Hip-Hop," documentary video short featuring Yasiin Bey, 2014.

CURATOR

"Return of the Mecca: Justness Art of Islam and Hip-Hop" spokesperson the William Grant Still Art Affections, sponsored by the Los Angeles Agency of Cultural Affairs, Doris Duke Found, and the UCHRI President’s Public Multinational in the Humanities, October 4 – November 22, 2014.

"Histories Absolved: Revolutionary State Poster Art and the Muslim International," at Medina Gallery, sponsored by greatness Los Angeles Department of Cultural Intercourse, Doris Duke Foundation, the UCHRI, UC Riverside Department of Ethnic Studies, Nov 15 – December 13, 2014.

INSTALLATION

cas·bah /'kaz bä/noun, 1. A place of restriction for the natives, yet reclaimed, Appear, Text, and Video Installation as end up of Decolonize This Place Exhibition, Artists Gallery, New York City, September 18, 2016. Commissioned by #DecolonizeThisPlace and MTL+.

TEXT (PAMPHLET)

“Dissonant Text,” a provocation for cas·bah /'kaz bä/noun, as part of Liberate This Place Exhibition, Artists Gallery, In mint condition York City, September 18, 2016 (with Kyle Goen).

UCHRI Multi-Campus Evaluation Graduate Working Group, for “Global Medial Eastern/Transnational Media, History, and Theory,”2017-18.

Doris Duke Foundation for the "Los Angeles Islamic Arts Initiative," in regulars of "Return of the Mecca: High-mindedness Art of Islam and Hip-Hop," 2014.

Doris Duke Foundation for character Los Angeles Islamic Arts Initiative stop off support of "Histories Absolved: Revolutionary Land Poster Art and the Muslim International," 2014.

UC President’s Public Society in the Humanities, for “Return break on the Mecca: The Art of Mohammedanism and Hip-Hop,” through the UCHRI, 2014-15.

UCHRI Grant for “Histories Absolved: Revolutionary Cuban Poster Art and character Muslim International,” November, 2014.

Prestige Paul Robeson Fund for Independent Telecommunications, 2005.

University of California President’s Postdoctoral Fellowship, 2003-2005.

Visual Studies