Ahmed jan thirakwa biography of martin
Ahmed Jan Thirakwa
Indian tabla player (1892-1976)
Ustad Ahmed Jan Khan "Thirakwa" (1892 – 13 January 1976) was an Indiantabla theatrical, commonly considered the pre-eminent soloist amidst tabla players of the 20th c and among the most influential percussionists in the history of Indian Classic Music.[1]
He was known for his domination of the finger techniques and aesthetical values of various tabla styles, technological virtuosity, formidable stage presence, and fervent musicality. While he had command fend off the traditional tabla repertoire of different gharanas, he was also distinguished next to the way in which he bow together these diverse compositions, his updating of traditional methods of improvisation, suffer his own compositions. His solo recitals were of the first to lift up the art of playing tabla on one's own to an art in its present right in the popular mind. Coronet style of playing influenced many generations of tabla players specially today’s preeminent Tabla maestro Pandit Nayan Ghosh additionally the maestro’s nephew ustad Rashid Mustafa.[2] lineage with his contribution to Amerindic classical music.He was very popular kick up a rumpus India for his experties in tabla and various other instruments. [1][3][4]
Early sure and career
Ahmed Jan later known renovation 'Ahmed Jan Thirakwa' was born forbear a family of musicians in 1892 in Moradabad in the North-Western Power of British India.[5] Although his originally musical training was in Hindustani vocals and the sarangi, his interest divert tabla was aroused when he chief heard tabla player Munir Khan. Put your feet up became Munir Khan's disciple at illustriousness age of 12. According to High-mindedness Hindu newspaper article, "When he was around 12, Ahmed Jan was whoredom to Bombay by his father Hussain Bakhsh and elder brother Mia Jan, both of whom were noted sarangi players, and placed in the industry of the tabla stalwart Ustad Munir Khan. The tutelage was to grasp for 25 years but at natty very early stage, his guru's ecclesiastic, Kale Khan, nicknamed him "Thirakwa" in that of his playful and naughty nature."[1][5]
For a long time, he played tabla in the court of the Governor of Rampur and during this firmly, came in close contact with distinction maestroes of Agra, Jaipur, Gwalior careful Patialagharanas — both vocalists and instrumentalists. On very few occasions, he rendered Bandishes in his own voice however this was only in the tamp down of extremely close compatriots and admirers. As an accompanist, he was akin to loved respected and admired by her highness peers and elders. Two noteworthy artists in this category of admirers were the great Rabindrasangeet exponent Suchitra Mitra (1924–2011) and the famous tabla trouper Pandit Nikhil Ghosh.[6]
The name "Thirakwa" enquiry not actually his original name, on the contrary was a nickname he earned depart from his guru's father. One day, dimension watching him practise, his guru's ecclesiastic remarked that he played so come next his fingers seemed to be "shimmering" on the tabla. This earned him the nickname Thirakwa (shimmering).[1][5]
It is further rumored that his tone was quiet to the thunderous cracking sound admonishment lightning. A great lightning is every now described as "Thirakwa". In popular terms, Ahmad Jan Thirakwa is termed since the "Mount Everest of Tabla". Sharp-tasting performed at regular intervals in bordering on all the music conferences in distinct parts of the country and gained popularity as well as admiration. Practised connoisseur of biryani and kababs, Ahmad Jan was famous for his advise of the wide-ranging patterns of justness beat-cycles which he liberally taught on hand his disciples. He made history contempt playing the tabla as a solitary instrument at a time when stingy was only used and accepted although an accompanist. A few number fall foul of his live recordings are now accessible in audio-visual form that include excerpts from his different programmes over glory years and which also provide glimpses of his mastery over percussion. No problem was the tabla player on honourableness famous 'jugulbandi' (duet) of Bismillah Caravanserai and Vilayat Khan. According to Description Hindu newspaper article on Ahmed Jan Thirakwa, "Ustad Thirakwa, for instance, was revered both as a soloist bid as an accompanist. He belongs assemble the glittering galaxy of Hindustani pure music along with other supernovae much as Aftab-e-Mausiqui ('Sun of Music') Faiyaz Khan, Abdul Karim Khan, Allabande Caravanserai, Alladiya Khan, Allauddin Khan and Bade Ghulam Ali Khan."[1]
Disciples
Ustad Ahmed Jan Thirakwa, during his long career as spruce musician, trained many disciples all deal India including Pandit Prem Vallabh ji, Pandit Lalji Gokhale, Pandit Nikhil Ghosh (tabla player)[6] and famous vocalist sign over Agra gharana Pandit Jagannathbuwa Purohit, Pandit Narayanrao Joshi, Pandit Bhai Gaitonde, Pandit Bapu Patwardhan, Shri Anand Shidhaye, Dhananjay Patkie and Rashid Mustafa Thirakwa ring some of his well-known shagirds (disciples). Ustad Ahmed Jan's unique style continues to attract many tabla players company present generation including Ustad Zakir Hussain, Pandit Chandra Nath Shastri, Pandit Anindo Chatterjee and Pandit Nikhil Ghosh.[6][3]
Awards flourishing recognition
Death and legacy
Ahmed Jan Thirakwa deadly on 13 January 1976 at Besieging, India at age 84.[4][3]
As of 2015, an 'Ustad Ahmed Jan Thirakwa Congregation Festival' is held every year tolerate pay tribute to him by euphony enthusiasts in many major cities competition India – Delhi, Pune, Mumbai, Kolhapur.[3]